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Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts

Sunday, May 10, 2015

Autumn musings; fiction, poetry and colour

Autumnal embroidery in silk and cotton floss on calico.

Well it is no surprise that I love Autumn, I take the same kind of photographs every year, I regularly use Autumn leaves for bookmarks and find leaves from past Autumns well pressed in-between pages every year.

I have done my Autumnal re reading of Kim Wilkins' Autumn Castle, such a perfect read for the season and one of my favourite books ever.


The Autumn Castle has a quote from a poem of Kate Forsyth's, another favourite author (Her poems are published under her maiden name, Humphrey).

"So pure and cold the wind breathes. It pares the flesh from the bones of the land - finds at last the essential shape" Autumn, Kate Humphrey.

Kim Wilkins also includes her own translation from a few lines of Hohenburg by Georg Trakl.

"There is nobody at home. Autumn fills the rooms;
Moonbright sonata
And theawakening at the edge of the twilit forest."

This quote reminded me of another, one that when I read it thought... Yes, that's it exactly! Unfortunately all I remember is that feeling and not the quote. Frustrating. Searching my memory I managed to narrow it down to a Charles de Lint novel but despite searching 'on the google' I couldn't find it (turns out I should have remembered the American and Canadian use of the word Fall).

So I started re-reading 'Jack the Giant Killer' and then 'Memory and Dream' and at last I found it.

"I prefer winter and fall, when you feel the bone structure in the landscape - the loneliness of it - the dead feeling of winter. Something waits beneath it - the whole story doesn't show."
                                                                                                        -Attributed to Andrew Wyeth.

I had read Memory and Dream in a previous Canberra Autumn, where I was feeling incredibly nostalgic. Canberra is planted with many European deciduous trees, reminding me more of German and English Autumns than any Sydney season could give. I was pondering on why I love winter trees (I mean why would a person prefer bare branches to glorious green?) and the Andrew Wyeth quote drew me to an answer. It is that brimming sense of potential, of becoming, of promise. The tension of the moment before the action happens. I love being able to see the 'bone structure' or bare architecture of the tree branches... I guess that is why all my glass pieces have bare branched trees.



OK Autumn gush over!


Well not quite. The trees in my garden, which I take pictures of constantly at this time of year have inspired me to a small embroidery. Yellow and grey are such a great colour combination, that I kept seeing the tree branches and yellow leaves in stitches. So I have started, the background calico is an old piece (20 years) of stitch testing. When I first went to pattern making college, our first lessons where of threading an industrial sewing machine to a timer and practicing sewing a straight and even line. As you can see mine are a little wavy, but I think it works great as a background giving a suggestion of landscape. The calico has a lovely soft texture 20 years later!


Silk and cotton floss on calico sewing machine stitch samples






Monday, March 31, 2014

Setting up for experiments

This morning I got out of the kiln a few tree blocks I made to start testing my fire polishing schedules. I ended up coldworking the lumps and edges with an 80 belt linisher sanblasting the whole thing at 150 grit and then masking the sides and sandblasting the fronts at 320 grit.








Wednesday, March 26, 2014

'The Tree' opening

Piccies of my work "New stories from the old wood" at the opening tonight of 'The Tree' at the Canberra Glassworks.



Thursday, March 13, 2014

New stories from the old wood

Finally finished, 'New stories from the old wood' just before packing up, hence the luxurious location of the mould room. This work will be included in the group exhibition detailed below.




The Tree

19 March to 8 May 2014

Curated by Clare Belfrage
Exhibition Design & Coordination by Ruth White

The Tree, an elongated stem or trunk that supports leaves or branches. The theme is interpreted in a myriad of ways; with humour, metaphor and studies of nature.
This is an exhibition of many parts, with works by Matt Curtis, Kirstie Rea, Melinda Willis, Emilie Patteson, Tom Moore, Yusuké Takemura, Mel George, Nudibranch, Ben Sewell, Bridget Thomas, Harriet Schwarzrock, Sui Jackson, Belinda Toll, Holly Grace, Jacqueline Gropp, Suzanne Peck, Tim Edwards, Alana Corr, Erin Conron, Lisa Cahill, Luna Ryan, Christine Atkins, Alexandra Frasersmith, Spike Deane and Clare Belfrage.
Guest speaker: Adam Burgess, Curator of the National Arboretum Canberra
Exhibition Opening: Wednesday, 26 March at 6pm
Gallery Talk: Saturday, 29 March at 10.30am

Tuesday, March 11, 2014

Gold leafing

Gold leafing is quite fiddly, well where I was trying to do it anyways. Adhered with gelatin and sealed with a mat finish.






Tuesday, February 11, 2014

Midnight grove conceptual drawings

Here are my conceptual drawings to go along with the wax that I have made for the Kirra Illuminating Glass Award (KIGA). Expression of interests closed today (mine's in) Just getting the drawings finished and then we wait for the judges decision of who gets in...

Conceptual drawings for Midnight Grove

Monday, February 3, 2014

The Tree Exhibition

Here is a better lit image of the piece i'm making for the tree exhibition. The front will be properly polished, the stag silhouette will be sandblasted and painted with the antlers more branchified (probably black) and the golden tree will be redone with finer detail. I was really making a mock up for a photo and substituting this piece of glass. Seeing it works so well I decided to use this piece of glass rather than the other I had been making specifically. 

I am still on the search for the origins of the 'tree-antlered deer'...

Here is my exhibition statement, thanks as always to my wonderful editor (or as a friend and I call him...my blurb master)

My work draws on narratives from folk, myth and fairy tales to explore themes of individual transformation and metamorphosis. I am especially interested in how contemporary re imaginings from literature and film effect the continuity, meaning and relevance of an individual story.

In every culture the tree has a symbolic role to play. In the realm of folk and fairytale, when the motif of forest or woods appears we can be sure that our hero (or our projected self) will be tested or challenged in some way. The liminal space of grove and glade are sites of personal introspection and growth.

The history of the majestic deer / tree spirit is unknown. It is a modern hybrid, integrating the metaphorical qualities and symbolism of both the deer and the tree. Versions of this quasi mythical creature - who grows tree branches, sometimes in bud or bloom in the place of antlers, appear frequently in pop culture: from film to fantasy fiction, from t-shirts to tattoos. The popular image of the 'tree-antlered deer' is an example of 'myth blending', the seamless merging of symbol and folklore with modern storytelling genres to give birth to new tales that evoke the timeless pull of antiquity.

Saturday, February 1, 2014

The Tree exhibition project

Well what was the Dryad project has changed. After a day of drawing I came to the realisation that prancing tree spirits just weren't going to add to the work as a whole and it was time to change course.

I've started with another piece of glass and different imagery. I've decided to go with the 'Monarch of the glen' type deer with the antlers extended to branches. I'm curious as to how this image / trend started as I can't find references in mythology. I think maybe it's a blend of mythology and contemporary fantasy fiction...but I could be wrong.

 I'm learning how to use gold leaf, the attempt below is just to get an idea of how it looks with the glass. From this I think it will work well if I improve my technique.

trialling components on the kitchen bench, back lit

trialling components on the kitchen bench
example of the deer with tree branch antlers

Wednesday, January 15, 2014

Dryads

Today I also worked on my 'Dryads' project for the 'Tree' exhibition at Canberra Glassworks in March. I started because I needed to distract myself from waiting for wax for the forest light (melting or cooling, it always takes too long.)

Similar to some of my other work, but this time I'm combining scale and sandblast imagery. I'm thinking about gold leafing the Dryads but i'm not sure, or trying another colour other than black. Only one way to find out!






















Tuesday, January 14, 2014

Tree mastermould panel

Second stage, make a plaster negative. Given that this is a shallow cast I need to give it more time to set and strengthen. I'll remove the plaster and cast in wax tomorrow.



Monday, January 13, 2014

Friday, February 22, 2013

Cycling from Braddon to Kingston

The main part of my cycle path between Braddon and Kingston is around Lake Burley Griffin. I love cycling under these trees, can't wait to see them come Autumn.